In my visits to Cortona, I always enter the citadel at the beginning of Via Nazionale, still known by the Cortonesi as Via di Ruga Piana, as it has been for centuries, the only leveled street in the whole city. The first time I did, the moment I laid my hands upon the remaining stones […]
Building the World of A Tale of Paris & Paris: Echoes of Troy | Cortona, 1450 AD Read More »
On Ovid, Myth, and Historical Imagination There is a question every novelist must answer, if only to themselves: why this story, and why now? For me the answer arrived not gradually but all at once, in the final lines of a myth I had known for years without truly seeing. Ovid tells Atalanta‘s story across
Why a Novel About Atalanta? Read More »
People sometimes ask me why I write the way I do. The question usually comes wrapped in a polite puzzlement, as if the asker suspects a rational explanation must exist but cannot quite locate it. Occasionally it comes less politely: “People don’t talk like that.” True enough. They didn’t talk like that even then, not
The Art of the Archaic: How I Choose Words and Expressions Read More »
There is a mountain that watches over the plain of Neméa from the north—flat-topped, unmistakable, rising above the valley with the quiet authority of a place that has been looked at for a very long time. I first saw it in April 2019, at the end of forty kilometers on a bicycle, with the Temple
Perseus and the Altar on Mount Apesas Read More »
Novelist Edmond Thornfield explains why literary travel is essential to writing historical fiction, from Knossos and Mycenae to Florence and Cortona. There is a question I am sometimes asked, usually by readers who have noticed something in the novels that feels too precise to be invented. How did you know what the road from Knossos
Literary Travel as Research: Why I Must Go There Read More »
If you have ever read a novel set in the ancient world and found yourself wondering how much of it is true—how the author knew what a Mycenaean palace smelled like, or how a Minoan priestess dressed, or what Linear B actually says—then you have already crossed the threshold from reader into something more. You
Five Works of Classical Scholarship Every Historical Fiction Reader Should Know Read More »
A Tale of Paris & Paris: Echoes of Troy by Edmond Thornfield is an adult historical fantasy set primarily in fifteenth-century Cortona, Italy, a period defined by religious authority, political tension, and unspoken desire. The novel follows the intertwined lives caught between duty and longing, most notably Lorenzo di Ranieri, a Florentine soldier returning to
The objects in the Archaeological Museum of Heraklion are not merely remnants of Minoan civilization; they are among the most important surviving works of Bronze Age art anywhere in the world. What each taught me about the Minoan world Even before I knew that one day I would write a novel set in the
The Archaeological Museum of Heraklion: Thirteen Objects That Changed My Writing Read More »
AS THE EPICENTER OF RADICAL HUMANISM AND ARTISTIC ENLIGHTENMENT, FLORENCE BECAME THE PARAMOUNT CRUCIBLE OF THE ITALIAN RENAISSANCE. Independent thinkers broke free from the constraints of the preceding millennium. Against this backdrop, the following tale gives voice to the long-suppressed desires and identities of those who suffered the dominant assumption that heterosexuality is the default and
Author’s Note of Meeting Donatello Read More »
Edmond Thornfield’s novel, Asterios and the Labyrinth (Mythos of Knossos), is a reimagined, action-packed mythological and historical story, set in ancient Krete (Crete) during the period of the Bronze Age Minoan civilization. When King Minos dies, his son Asterios succeeds him as the ruler of the Kingdom of Labrys. Prince Phaistos of Archanes is commander-in-chief
Asterios and the Labyrinth | Reviewed by Saifunnissa Hassam for Readers’ Favorite Read More »
