A Tale of Paris and Paris: Echoes of Troy, in the Chronicles of Cortona by Edmond Thornfield, follows Lorenzo di Ranieri, a militia sergeant in Cortona, when inquisitors from Perugia arrive to pursue charges of heresy. Lorenzo forms a backstairs circle with Matteo at the Ranieri stable and relies on Costanza Briani to care for […]
I must be careful here. Say too much, and I spoil the particular pleasure of meeting Lino Briani for the first time in A Tale of Paris & Paris: Echoes of Troy. But I may confess a few things about where he came from and why I chose to put him in the novel at
What Kind of Villain Is Lino Briani? Read More »
I first became aware of Cortona as a teenager, poring over the history of the Etruscans, those singular people who were neighbors of the ancient Romans. Their art held me fast from the start. I remember dreaming of their magnificent bronze casting of the Chimera and of the feasting scenes painted on the walls of
Cortona: The City That Calls to Me Read More »
By law, by Church doctrine, and by the unspoken consent of a society, power was a man’s possession in the Florentine Republic of the Quattrocento. A woman passed as property from her father to her husband. Her purpose, as the age defined it, was procreation and domestic service. Non-conformity was frowned upon, and in extreme
Women’s Power in A Tale of Paris & Paris: Echoes of Troy Read More »
There are scenes in A Tale of Paris & Paris: Echoes of Troy that unsettle readers who arrive with their assumptions intact. The inquisitors who descend upon Cortona in 1450 are not the black-and-white Dominicans of legend, the Domini canes, the Hounds of God, the scholastic terrors immortalized in every gothic retelling of the medieval
The Inquisition Was Not Exclusively Dominican: Franciscans Also Investigated Read More »
In my visits to Cortona, I always enter the citadel at the beginning of Via Nazionale, still known by the Cortonesi as Via di Ruga Piana, as it has been for centuries, the only leveled street in the whole city. The first time I did, the moment I laid my hands upon the remaining stones
Building the World of A Tale of Paris & Paris: Echoes of Troy | Cortona, 1450 AD Read More »
There is a grave irony embedded in the Church of San Francesco of Cortona. The man who built it, who brought its most precious relic from Constantinople, who wished with all his heart to be buried there—and was—that man died outside the order that bore his master’s name, expelled, excommunicated, and unredeemed by any Franciscan
Brother Elias, Sinner, the Man Who Built San Francesco of Cortona Read More »
A Tale of Paris & Paris: Echoes of Troy by Edmond Thornfield is an adult historical fantasy set primarily in fifteenth-century Cortona, Italy, a period defined by religious authority, political tension, and unspoken desire. The novel follows the intertwined lives caught between duty and longing, most notably Lorenzo di Ranieri, a Florentine soldier returning to
AS THE EPICENTER OF RADICAL HUMANISM AND ARTISTIC ENLIGHTENMENT, FLORENCE BECAME THE PARAMOUNT CRUCIBLE OF THE ITALIAN RENAISSANCE. Independent thinkers broke free from the constraints of the preceding millennium. Against this backdrop, the following tale gives voice to the long-suppressed desires and identities of those who suffered the dominant assumption that heterosexuality is the default and
Author’s Note of Meeting Donatello Read More »
An exploration of Donatello’s revolutionary contribution to Renaissance sculpture, psychological realism, and the rediscovery of the human form in fifteenth-century Florence. IN THE LONG HISTORY OF WESTERN ART, THERE ARE PERHAPS A DOZEN MOMENTS WHEN A SINGLE ARTIST SO FUNDAMENTALLY altered the way human beings see that the world before and after their work are,
Donatello: The Sculptor Who Awakened the Modern Eye Read More »
