Five Works of Classical Scholarship Every Historical Fiction Reader Should Know

If you have ever read a novel set in the ancient world and found yourself wondering how much of it is true—how the author knew what a Mycenaean palace smelled like, or how a Minoan priestess dressed, or what Linear B actually says—then you have already crossed the threshold from reader into something more. You […]

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BOOK REVIEW

A Tale of Paris & Paris: Echoes of Troy | Reviewed by Asher Syed for Readers’ Favorite

A Tale of Paris and Paris: Echoes of Troy by Edmond Thornfield is set in fifteenth-century Cortona, where Lorenzo di Ranieri returns from Florence to a city under ecclesiastical scrutiny. Quiet warnings reach him that the Inquisition is preparing accusations meant to divide households and strip the town of power. Lorenzo uses his position in

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Echidna in Her Cave

Echidna: Mother of All Monsters, Bride of the Mightiest Foe

In the deepest places of the Greek mythological imagination—below Olympus, below the world of heroes and city-states and clever men with clever plans—there is a darkness that was never conquered. Zeus defeated the Titans and imprisoned them in Tartaros. He defeated the Giants and buried them beneath volcanoes. He defeated even Typhon, the last and

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The Gay Classicist Manifesto

Reclaiming the Classical Tradition

S THE 21st CENTURY BEGINS, THE UNFOLDING LITERARY RENAISSANCE HAS SHATTERED THE SHACKLES OF HETERONORMATIVE commandments that have constrained the classic canon. Yet forces of erasure still confine our existence to the shadows. To this day, governments around the world, social prejudice, and insidious institutions stifle our voices with censorship, cruelty, and death. THIS IS

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Ancient/Old vs. Modern/Contemporary

Why I Write in Archaic English | Language as the Soul of Historical Fiction

There is a question I am asked, sooner or later, by nearly every reader who encounters my novels for the first time: Why the archaic English? The question is reasonable. We live in an age that prizes clarity, speed, and transparency of style. Modern prose aspires to invisibility—the words, ideally, should dissolve on the page,

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