There is a difference between visiting a place and being taught by it. Tourism gives you impressions. Fieldwork—the kind that involves returning in different seasons, taking measurements, sitting alone in churches until the silence becomes uncomfortable—gives you something harder to name and more difficult to acquire: an understanding of how a place works upon a […]
Five Things Cortona Taught Me About Writing Sense of Place Read More »
I first became aware of Cortona as a teenager, poring over the history of the Etruscans, those singular people who were neighbors of the ancient Romans. Their art held me fast from the start. I remember dreaming of their magnificent bronze casting of the Chimera and of the feasting scenes painted on the walls of
Cortona: The City That Calls to Me Read More »
In my visits to Cortona, I always enter the citadel at the beginning of Via Nazionale, still known by the Cortonesi as Via di Ruga Piana, as it has been for centuries, the only leveled street in the whole city. The first time I did, the moment I laid my hands upon the remaining stones
Building the World of A Tale of Paris & Paris: Echoes of Troy | Cortona, 1450 AD Read More »
There is a grave irony embedded in the Church of San Francesco of Cortona. The man who built it, who brought its most precious relic from Constantinople, who wished with all his heart to be buried there—and was—that man died outside the order that bore his master’s name, expelled, excommunicated, and unredeemed by any Franciscan
Brother Elias, Sinner, the Man Who Built San Francesco of Cortona Read More »
There is a mountain that watches over the plain of Neméa from the north—flat-topped, unmistakable, rising above the valley with the quiet authority of a place that has been looked at for a very long time. I first saw it in April 2019, at the end of forty kilometers on a bicycle, with the Temple
Perseus and the Altar on Mount Apesas Read More »
Novelist Edmond Thornfield explains why literary travel is essential to writing historical fiction, from Knossos and Mycenae to Florence and Cortona. There is a question I am sometimes asked, usually by readers who have noticed something in the novels that feels too precise to be invented. How did you know what the road from Knossos
Literary Travel as Research: Why I Must Go There Read More »
The objects in the Archaeological Museum of Heraklion are not merely remnants of Minoan civilization; they are among the most important surviving works of Bronze Age art anywhere in the world. What each taught me about the Minoan world Even before I knew that one day I would write a novel set in the
The Archaeological Museum of Heraklion: Thirteen Objects That Changed My Writing Read More »
There are journeys one spends a lifetime preparing for without knowing it. Mine to Archaia Neméa began, as so many things do, in childhood—with a book. I was perhaps seven years of age when my beloved Madrinha Ionyr placed in my hands a children’s volume of the Twelve Labours of Hēraklēs on my birthday. I
Following in the Footsteps of Hēraklēs to Archaia Neméa Read More »
