On antagonists who operate from a coherent internal logic and whether historical fiction can afford a pure villain. There is a kind of antagonist who appears in lesser historical fiction with reassuring frequency: the man who enjoys being cruel, who oppresses because oppression pleases him, whose motives require no further excavation, as the author has […]
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Six novels this month—two Brazilian, four from the European tradition—all concerned with what society does to people who fall outside its sanctioned arrangements. Tess of the d’Urbervilles: A Pure Woman (1891), Thomas Hardy Tess Durbeyfield is a farmer’s daughter whose family, learning of a distant, probably fictional connection to the ancient d’Urberville name, sends
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Why Does AI Writing Need Everything to Be Settled Before It Will Stop? This is Essay 22 of 22 in the series Why Choose 100% Human Authors, addressed to readers who want to understand what a human author does that a machine cannot and why that difference matters to the experience of literary fiction. There is
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Why Does AI Writing Give Its Characters Lines Instead of Voices? This is Essay 21 of 22 in the series Why Choose 100% Human Authors, addressed to readers who want to understand what a human author does that a machine cannot and why that difference matters to the experience of literary fiction. There is a kind
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Why Does AI Writing Give Its Characters Lines Instead of Voices? This is Essay 20 of 22 in the series Why Choose 100% Human Authors, addressed to readers who want to understand what a human author does that a machine cannot and why that difference matters to the experience of literary fiction. The Test There is
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Why Does AI Writing Produce Places That Could Be Anywhere? This is Essay 19 of 22 in the series Why Choose 100% Human Authors, addressed to readers who want to understand what a human author does that a machine cannot and why that difference matters to the experience of literary fiction. The Backdrop That Is Not
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Why Does AI Prose Manufacture Tension It Has No Intention of Honoring? This is Essay 18 of 22 in the series Why Choose 100% Human Authors, addressed to readers who want to understand what a human author does that a machine cannot and why that difference matters to the experience of literary fiction. The Obstacle That Exists
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Why Does AI Prose Forget That People Have Bodies? This is Essay 17 of 22 in the series Why Choose 100% Human Authors, addressed to readers who want to understand what a human author does that a machine cannot and why that difference matters to the experience of literary fiction. The Sensory Void There is a kind
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Why Does AI Writing Shout When It Should Whisper? This is Essay 16 of 22 in the series Why Choose 100% Human Authors, addressed to readers who want to understand what a human author does that a machine cannot and why that difference matters to the experience of literary fiction. Cat on a Hot Tin Roof
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Why Does AI Prose Explain What It Should Let the Reader Discover? This is Essay 15 of 22 in the series Why Choose 100% Human Authors, addressed to readers who want to understand what a human author does that a machine cannot and why that difference matters to the experience of literary fiction. Is the Information
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