I confess that as a child I believed the following tales were the stories of real people who had lived long ago. Only when I got older did I understand their significance as myths, though at times I am not entirely sure. The details seem too specific, too human, too particular to be pure invention. […]
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This is a fascinating question precisely because it touches the murky frontier between Mycenaean religion, Arcadian local cults, and the Olympian mythology that the Greeks of the Archaic and later periods projected backward into the Bronze Age. The short answer is that Athána Alēa is not an Olympian Athena at all. She appears to preserve
Who Is Athána Alēa in Atalanta of the Wild? Read More »
Every few months I set aside the novelist’s desk and return to the reader’s chair. These are six books I return to, recommend without hesitation, or simply cannot stop thinking about. They span centuries, continents, and registers—Gothic Louisiana, medieval Cornwall, the towers of Notre-Dame, Revolutionary France, the streets of Salvador da Bahia—but they share the
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I must be careful here. Say too much, and I spoil the particular pleasure of meeting Lino Briani for the first time in A Tale of Paris & Paris: Echoes of Troy. But I may confess a few things about where he came from and why I chose to put him in the novel at
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The question of point of view is the first serious decision a novelist makes, and it shapes everything that follows—the texture of the prose, the range of the story, the emotional distance between reader and character. Writers have many options: first-person, second-person, omniscient third, limited third, close third, or some combination of these. For my
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FEB 2026 Literary Titan Gold Book Award Winner Asterios and the Labyrinth follows Prince Asterios of Knossos as his father dies, political rivals rise against him, foreign powers threaten the island, and love pulls him in directions that the laws of his world barely allow. The story blends palace intrigue, war, prophecy, and a passionate
Asterios and the Labyrinth | Gold Book Award Winner, Reviewed by Literary Titan Read More »
I first became aware of Cortona as a teenager, poring over the history of the Etruscans, those singular people who were neighbors of the ancient Romans. Their art held me fast from the start. I remember dreaming of their magnificent bronze casting of the Chimera and of the feasting scenes painted on the walls of
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By law, by Church doctrine, and by the unspoken consent of a society, power was a man’s possession in the Florentine Republic of the Quattrocento. A woman passed as property from her father to her husband. Her purpose, as the age defined it, was procreation and domestic service. Non-conformity was frowned upon, and in extreme
Women’s Power in A Tale of Paris & Paris: Echoes of Troy Read More »
There is a Latin pun at the heart of medieval Dominican identity so perfect it could only have been God’s own joke—or the devil’s. Domini canes: the Hounds of the Lord. It sounds almost exactly like Dominicanus, the Latin name for a member of the Order of Preachers founded by Saint Dominic in the early
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William Morris believed the book as physical object was itself a work of art, that typography, layout, and illustration were not secondary to the text but coequal with it. I agree with him. Unconditionally. This is not a fashionable position. The publishing industry has spent decades treating book design as a downstream function. It is
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