A TALE OF PARIS & PARIS: ECHOES OF TROY IS AN ADULT HISTORICAL FANTASY NOVEL THAT DOES NOT MERELY DEPICT THE PAST—it speaks from within it. Set against a backdrop of religious persecution and societal repression, it explores the lives of opposite- and same-gender couples striving to love and survive in a world determined to […]
Author’s Note of A Tale of Paris & Paris: Echoes of Troy Read More »
On a clear summer night in the Northern Hemisphere, four constellations rise in sequence from the eastern horizon like old friends arriving at a long-awaited reunion. Gemini the Twins appears first, their bright stars Pollux and Castor burning side by side with the easy companionship of brothers. Cancer the Crab follows, small and subtle, easy
The Constellations of Atalanta: Myth, Astronomy, and the Night Sky of Ancient Greece Read More »
In the summer of 1952, a young English architect and philologist named Michael Ventris made one of the most extraordinary announcements in the history of scholarship. He had deciphered the writing on the clay tablets recovered from the ruins of Knossos, Mycenae, Pylos, and Tiryns—tablets inscribed with a script that had resisted decipherment for half
Speaking Bronze Age: Linear B and the Language of Mycenaean Greece Read More »
Every novelist has a private library of books that made their own work possible—not sources to be cited or influences to be acknowledged in an author’s note, but companions in the deeper sense: books that showed what historical fiction could do when it refused to compromise, when it trusted its readers with difficulty and moral
Six Novels to Read Before (or After) Atalanta of the Wild Read More »
There is a question I am asked, sooner or later, by nearly every reader who encounters my novels for the first time: Why the archaic English? The question is reasonable. We live in an age that prizes clarity, speed, and transparency of style. Modern prose aspires to invisibility—the words, ideally, should dissolve on the page,
Why I Write in Archaic English | Language as the Soul of Historical Fiction Read More »
INTRODUCTION Atalanta of the Wild began not with a plot outline or a character sketch, but with a question that Ovid refused to answer. In the Metamorphoses, the transformation of Atalanta and Hippomenes into lions occupies a handful of lines—a swift, almost casual punishment appended to the story of the golden apples. I could not
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Written by Edmond Thornfield Review by Karen Bordonaro (Published on HNS Reviews Magazine, May 1, 2026.) The storied reign of King Minos, ruler of Knossos on the island of Crete during the Bronze Age (circa 1700 BCE), is enveloped in many myths and legends into which this tale of his son, Asterios, offers an intriguing addition.
Asterios and the Labyrinth | Historical Novel Society Review by K. Bordonaro Read More »
FEB 2026 Literary Titan Gold Book Award Upon King Minos’s death, Asterios must ascend the throne of the Kingdom of the Labrys or witness Krete fall to rebel lords. With his kin’s sorcery and a dread ally from Tartaros, he leads his warriors in bloody sieges, confronts traitorous nobles, and races to rescue his beloved
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On April 2, 2026, I wrote the final sentence of Atalanta of the Wild, my third novel. It is the product of six months at my desk and years of intermittent travel through Greece in search of the landscapes that first gave these myths their hold upon me. This novel arose from my return to
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