There is a particular dishonesty that runs through a great deal of fiction written by and about men, a tendency to grant male characters the external architecture of complexity without the internal substance of it. Men in such novels have ambitions, rivalries, codes of honor, and moments of violence, but their inner lives remain largely […]
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I have spent a great deal of my writing life inside the minds of women. Atalanta, Elena, Pasiphaë, Costanza, Stella—the women of my novels are not secondary figures, not love interests arranged around a male protagonist. They are the story, or so much of it that the distinction barely holds. People sometimes ask me how
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On Ovid, Myth, and Historical Imagination There is a question every novelist must answer, if only to themselves: why this story, and why now? For me the answer arrived not gradually but all at once, in the final lines of a myth I had known for years without truly seeing. Ovid tells Atalanta‘s story across
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People sometimes ask me why I write the way I do. The question usually comes wrapped in a polite puzzlement, as if the asker suspects a rational explanation must exist but cannot quite locate it. Occasionally it comes less politely: “People don’t talk like that.” True enough. They didn’t talk like that even then, not
The Art of the Archaic: How I Choose Words and Expressions Read More »
Asterios and the Labyrinth (Mythos of Knossos) by Edmond Thornfield transports readers back to the time of ancient Greek power, of mythical beasts, sorcerers, and the battle for royal succession. Upon the death of King Minos, his son Asterios must succeed to the throne before the various warlords tear the kingdom apart in their quest
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There is a mountain that watches over the plain of Neméa from the north—flat-topped, unmistakable, rising above the valley with the quiet authority of a place that has been looked at for a very long time. I first saw it in April 2019, at the end of forty kilometers on a bicycle, with the Temple
Perseus and the Altar on Mount Apesas Read More »
Novelist Edmond Thornfield explains why literary travel is essential to writing historical fiction, from Knossos and Mycenae to Florence and Cortona. There is a question I am sometimes asked, usually by readers who have noticed something in the novels that feels too precise to be invented. How did you know what the road from Knossos
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If you have ever read a novel set in the ancient world and found yourself wondering how much of it is true—how the author knew what a Mycenaean palace smelled like, or how a Minoan priestess dressed, or what Linear B actually says—then you have already crossed the threshold from reader into something more. You
Five Works of Classical Scholarship Every Historical Fiction Reader Should Know Read More »
A Tale of Paris & Paris: Echoes of Troy by Edmond Thornfield is an adult historical fantasy set primarily in fifteenth-century Cortona, Italy, a period defined by religious authority, political tension, and unspoken desire. The novel follows the intertwined lives caught between duty and longing, most notably Lorenzo di Ranieri, a Florentine soldier returning to
The objects in the Archaeological Museum of Heraklion are not merely remnants of Minoan civilization; they are among the most important surviving works of Bronze Age art anywhere in the world. What each taught me about the Minoan world Even before I knew that one day I would write a novel set in the
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